REGULAR PROGRAMS
CAMPUS / ONLINE
SF Film School is a professional educational institution for visual graphics and 3D animation— it is the best graphic institution in South Korea with a long history.
You will smoothly progress in artistic skill and develop in a technical way by learning from our skilled instructors who have a lot of practical experience and ability.The instructor in charge of you will answer your questions at anytime to maximize your skill progression.Our students have a high percentage of employment because the instructor in charge of them continuously advises them while working on their demo reels until they get employed.
SPECIALIZED
CG TRAINING PROGRAM
Hollywood movies and TV commercials are not made by just using one program.
SF Film School education is not just centered around Maya but around visual effects and realistic compositing.
VISUAL EFFECTS
In filmmaking, visual effects (VFX) is the creation of any on-screen imagery that does not exist in real life. VFX allows filmmakers to create environments, objects, creatures, and even people that would otherwise be impractical or impossible to film in a live-action shot. VFX in film frequently involves the integration of live-action footage with computer-generated imagery (CGI).
ENVIRONMENT DESIGN
The process of creating a virtual or photorealistic set for film or drama production with digital or traditional painting.
As a curriculum that can respond to all industries in line with the changes of the times, many students choose this course with the goal of becoming a true senior artist.
3D COMPOSITE
The 3D compositing process is a process of synthesizing a virtual digital with a live image to create various elements as if they belonged naturally to the same space.
As a curriculum that can respond to all industries in line with the changes of the times, many students choose this course with the goal of becoming a true senior artist.
REGULAR PROGRAMS
VISUAL EFFECTS
In filmmaking, visual effects (VFX) is the creation of any on-screen imagery that does not exist in real life. VFX allows filmmakers to create environments, objects, creatures, and even people that would otherwise be impractical or impossible to film in a live-action shot. VFX in film frequently involves the integration of live-action footage with computer-generated imagery (CGI).
CURRICULUM
Getting Started in Nuke
Compositing
& 3D in Nuke
Ediging
& Demo Reel Production
- The Nuke Interface
- Understanding Channels
& Channel Nodes
- Keying with Primatte
- IBK
- Keylight Keyers
- Multi-pass CGI
- Multi-pass CG and Live-action
footage Compositing
- 3D basics in Nuke
- Camera projection and
displacement mapping
- Import camera tracking data
- Rig
- Cable removal
- Digital camera-shooting
& understanding
- Shooting HDRI for Lighting
- 3D camera tracking
- match moving
- Final demo reel production
Zbrush Basic l
Zbrush Basic ll
Zbrush Basic III
Creature design
& texture
Mari Basic
& Render
- Basics of Zbrush
- Understanding Dynamesh and Divide
- Concept of sub tool / use of transpose
- How to use a mask / Designate a polygroup using select
- Type of brush / Sculpting technique
- Basic mesh creation method
- Basic anatomy required for head sculpting
- head sculpting
- Create custom alpha brushes / use vector displacement brushes
- Split and merge / Boolean
- Concept of Retopology / Introduction to Geomesher
- How to work with retopology
- Introduction to the concept of UV
- How to work with UV
- Utilization of layer / Morph target and Morph brush / Creating noise with surface function
- How to detail
- How to use Zbrush dynamics
- How to make basic clothes
- How to use ZModeler
- Props production using ZModeler
- Concept and production of ornaments
- Jewelry making using IMM brush
- How to make armor
- Deformation using micromesh
- Creature design and basic anatomy explanation
- Creature of the appearance of the creature character
- Creature character's skeleton and muscle description
- Creature character's leather and skin description
- Creature character retopology
- Describe the texture of the creature character
- Props and accessories required for creature characters
- Creature character finish
- Basics of Mari
- Concept of Mari Layers / Using Masks
- Concept and application of Mari correction layer
/ How to use procedural layer
- Concept and application of Mari channel
/ How to use materials
- Concept of scan data and how to use it
- Apply scan data
- Understanding and creating normal maps and displacement maps
- Render in Maya
- UV Map
- V-ray Material
- Subdivision
- Textureing
- Basic Shading
- Basic Lighting
- Textureing
- Physical Light
- IES
- Basic Camera
- Using 3D Camera
- Basic Render pass
- Render pass Setting
- Compositing
- Basic Rigging
- Basic Animation
- Constrain
- Set Driven
- Motin path
- Key animation
- Expression
- Motion Capture
- Interface
- Basic Shading
- Basic V-ray
- Basic Modeling Exerciese
- modeling Exercise
Basic & Modeling
UV
& Texture
Shading
& Lighting
Camera
& Render pass
Rigging
& Animation
CAREER PATH
REGULAR PROGRAMS
3D ANIMATION
In 3D animation, objects can be moved and rotated as an object in the real life would.
Computer animation often use 3D animation to bring two dimensional models
into three dimensions environment.
3D animation is used in various industries such as gaming , marketing, and medicine.
CURRICULUM
- Interface
- Basic Shading
- Basic V-ray
- Basic Modeling Exerciese
- modeling Exercise
- UV Map
- V-ray Material
- Subdivision
- Textureing
- Basic Shading
- Basic Lighting
- Textureing
- Physical Light
- IES
- Basic Camera
- Using 3D Camera
- Basic Render pass
- Render pass Setting
- Compositing
- Basic Rigging
- Basic Animation
- Constrain
- Set Driven
- Motin path
- Key animation
- Expression
- Motion Capture
Zbrush Basic l
Zbrush Basic ll
Zbrush Basic III
Creature design
& texture
Mari Basic
& Render
- Basics of Zbrush
- Understanding Dynamesh and Divide
- Concept of sub tool / use of transpose
- How to use a mask / Designate a polygroup using select
- Type of brush / Sculpting technique
- Basic mesh creation method
- Basic anatomy required for head sculpting
- head sculpting
- Create custom alpha brushes / use vector displacement brushes
- Split and merge / Boolean
- Concept of Retopology / Introduction to Geomesher
- How to work with retopology
- Introduction to the concept of UV
- How to work with UV
- Utilization of layer / Morph target and Morph brush / Creating noise with surface function
- How to detail
- How to use Zbrush dynamics
- How to make basic clothes
- How to use ZModeler
- Props production using ZModeler
- Concept and production of ornaments
- Jewelry making using IMM brush
- How to make armor
- Deformation using micromesh
- Creature design and basic anatomy explanation
- Creature of the appearance of the creature character
- Creature character's skeleton and muscle description
- Creature character's leather and skin description
- Creature character retopology
- Describe the texture of the creature character
- Props and accessories required for creature characters
- Creature character finish
- Basics of Mari
- Concept of Mari Layers / Using Masks
- Concept and application of Mari correction layer
/ How to use procedural layer
- Concept and application of Mari channel
/ How to use materials
- Concept of scan data and how to use it
- Apply scan data
- Understanding and creating normal maps and displacement maps
- Render in Maya
Basic & Modeling
UV
& Texture
Shading
& Lighting
Camera
& Render pass
Rigging
& Animation
CAREER PATH
REGULAR PROGRAMS
GAMES
A game artist is an artist who is in charge of visual art in multiple types of games.
Game artists play a vital role in the game production and they are often credited in role-playing games, collectible card games, and video games.
CURRICULUM
Zbrush Basic l
Zbrush Basic ll
Zbrush Basic III
Creature design
& texture
Mari Basic
& Render
- Basics of Zbrush
- Understanding Dynamesh and Divide
- Concept of sub tool / use of transpose
- How to use a mask / Designate a polygroup using select
- Type of brush / Sculpting technique
- Basic mesh creation method
- Basic anatomy required for head sculpting
- head sculpting
- Create custom alpha brushes / use vector displacement brushes
- Split and merge / Boolean
- Concept of Retopology / Introduction to Geomesher
- How to work with retopology
- Introduction to the concept of UV
- How to work with UV
- Utilization of layer / Morph target and Morph brush / Creating noise with surface function
- How to detail
- How to use Zbrush dynamics
- How to make basic clothes
- How to use ZModeler
- Props production using ZModeler
- Concept and production of ornaments
- Jewelry making using IMM brush
- How to make armor
- Deformation using micromesh
- Creature design and basic anatomy explanation
- Creature of the appearance of the creature character
- Creature character's skeleton and muscle description
- Creature character's leather and skin description
- Creature character retopology
- Describe the texture of the creature character
- Props and accessories required for creature characters
- Creature character finish
- Basics of Mari
- Concept of Mari Layers / Using Masks
- Concept and application of Mari correction layer
/ How to use procedural layer
- Concept and application of Mari channel
/ How to use materials
- Concept of scan data and how to use it
- Apply scan data
- Understanding and creating normal maps and displacement maps
- Render in Maya
Basic & Modeling
UV
& Texture
Shading
& Lighting
Camera
& Render pass
Rigging
& Animation
- Interface
- Basic Shading
- Basic V-ray
- Basic Modeling Exerciese
- UV Map
- V-ray Material
- Subdivision
- Textureing
- modeling Exercise
- Basic Shading
- Basic Lighting
- Textureing
- Physical Light
- IES
- Basic Camera
- Using 3D Camera
- Basic Render pass
- Render pass Setting
- Compositing
- Basic Rigging
- Basic Animation
- Constrain
- Set Driven
- Motin path
- Key animation
- Expression
- Motion Capture
CAREER PATH
REGULAR PROGRAMS
3D MOTION GRAPHIC
3D Motion Graphics are conjunctions of animations or a digital footage
that are usually combined with audio for multimedia projects.
CURRICULUM
Basic Effects
Motion Graphics
- Synthesis concepts and interfaces
- Understanding keyframe interpolation
- Brush Uses Time remap with Auto-trace
- Text Animation and Compositing mode
- Blending mode
- Understanding Alpha and Lumamat
- Understanding animation and 3D layers using camera layers
- 3d animation using Element3d and camera tracking
- Synthesis concepts and interfaces
- Understanding of Blue Screen Screenshots
- tracking work
- Using the concept of tracking and tracking of the 2D synthesis tool
- Sound Matching Using Expressions
- motion using strokes
- Title creation using gradient wipes
- Final Impact with Universe
- Key light and steady mood
Basic & Modeling
UV
& Texture
Shading
& Lighting
Camera
& Render pass
Rigging
& Animation
- Interface
- Basic Shading
- Basic V-ray
- Basic Modeling Exerciese
- UV Map
- V-ray Material
- Subdivision
- Textureing
- modeling Exercise
- Basic Shading
- Basic Lighting
- Textureing
- Physical Light
- IES
- Basic Camera
- Using 3D Camera
- Basic Render pass
- Render pass Setting
- Compositing
- Basic Rigging
- Basic Animation
- Constrain
- Set Driven
- Motin path
- Key animation
- Expression
- Motion Capture
CAREER PATH
REGULAR PROGRAMS
FX
DYNAMICS AND SIMULATION
FX artists are essential in today’s entertainment business as most films,
TV shows and games require digital effects.
They are responsible for creating smoke, fire, destruction, water, objects colliding and liquid simulations.
The goal of an FX artist is to create seamless effects so the audience does not realize that they are computer-generated. This can take countless hours of research into real-life phenomena, watching reference videos, and even building new developing tools.
CURRICULUM
Beginning Level Ⅰ
Beginning Level Ⅱ
Intermediate Level Ⅰ
- Introduction to Houdini
- Houdini interface
- Application of environment variables
to modeling and rendering
- Understand the Procedural Workflow
- Procedural Workflow Walkthrough
- objects and relationships
- Understanding the directory structure
- Advanced copy sop, stamp()
- Channel Animation & Camera, Lighting
- Normal, Vector, Velocity
- Foreach, Pops, Hops
- Rayemit, Light, Rendering
- Proxy LOC, Point, Curve Rendring
- Shader development
- Expression and Displacement shaders
- Basic POPS
- Sprite, Dust fog shader development
- Water Surface
- WHITECAPS Particle Rendering
- Reflection Shade
- Houdini Ocean Toolkit
- SOP Emitter
Intermediate Level Ⅱ
Advanced Level Ⅰ
Advanced Level Ⅱ
- VOPS & VEX Programming
- Why VEX?
- ContextSOP, ContextSURF,
ContextDISP, ContextPOP
- ContextCHOP ,ContextFOG, ContectLIGHT
- ContextI3D, ContextSHADOW, VEX Progaming
- Volume Dynamic
- Emitter Setup, Volume Fluid Object Setup
- Volume Fluid Solver, Volume Fluid UPRES
- Destruction
- Fault Modeling
- Advanced Destruction
- Advanced Fault Destruction
- Fault DestructionC Dynamic
- Introduction Asset
- Making Foam Using SOP Solver
- CWGLOBALS.OTL
- CWUVCUT.OTL
- CWWHITECAPS.OTL
- CWWHITECAPSDOPSIM
- Making Tools Using OTL
Basic & Modeling
UV
& Texture
Shading
& Lighting
Camera
& Render pass
Rigging
& Animation
- Interface
- Basic Shading
- Basic V-ray
- Basic Modeling Exerciese
- UV Map
- V-ray Material
- Subdivision
- Textureing
- modeling Exercise
- Basic Shading
- Basic Lighting
- Textureing
- Physical Light
- IES
- Basic Camera
- Using 3D Camera
- Basic Render pass
- Render pass Setting
- Compositing
- Basic Rigging
- Basic Animation
- Constrain
- Set Driven
- Motin path
- Key animation
- Expression
- Motion Capture
CAREER PATH
REGULAR PROGRAMS
REAL CHARACTER
The demand for real human character artists such as virtual influencers and metaverses is
steadily increasing.
As a curriculum that can respond to all cultural industries such as games and movies,
many students choose this course as they aim to become character modeling artists.
CURRICULUM
Zbrush Basic l
Zbrush Basic ll
Zbrush Basic III
Creature design
& texture
Mari Basic
& Render
- Basics of Zbrush
- Understanding Dynamesh and Divide
- Concept of sub tool / use of transpose
- How to use a mask / Designate a polygroup using select
- Type of brush / Sculpting technique
- Basic mesh creation method
- Basic anatomy required for head sculpting
- head sculpting
- Create custom alpha brushes / use vector displacement brushes
- Split and merge / Boolean
- Concept of Retopology / Introduction to Geomesher
- How to work with retopology
- Introduction to the concept of UV
- How to work with UV
- Utilization of layer / Morph target and Morph brush / Creating noise with surface function
- How to detail
- How to use Zbrush dynamics
- How to make basic clothes
- How to use ZModeler
- Props production using ZModeler
- Concept and production of ornaments
- Jewelry making using IMM brush
- How to make armor
- Deformation using micromesh
- Creature design and basic anatomy explanation
- Creature of the appearance of the creature character
- Creature character's skeleton and muscle description
- Creature character's leather and skin description
- Creature character retopology
- Describe the texture of the creature character
- Props and accessories required for creature characters
- Creature character finish
- Basics of Mari
- Concept of Mari Layers / Using Masks
- Concept and application of Mari correction layer
/ How to use procedural layer
- Concept and application of Mari channel
/ How to use materials
- Concept of scan data and how to use it
- Apply scan data
- Understanding and creating normal maps and displacement maps
- Render in Maya
Basic & Modeling
UV
& Texture
Shading
& Lighting
Camera
& Render pass
Rigging
& Animation
- Interface
- Basic Shading
- Basic V-ray
- Basic Modeling Exerciese
- UV Map
- V-ray Material
- Subdivision
- Textureing
- modeling Exercise
- Basic Shading
- Basic Lighting
- Textureing
- Physical Light
- IES
- Basic Camera
- Using 3D Camera
- Basic Render pass
- Render pass Setting
- Compositing
- Basic Rigging
- Basic Animation
- Constrain
- Set Driven
- Motin path
- Key animation
- Expression
- Motion Capture
CAREER PATH
REGULAR PROGRAMS
ENVIRONMENT DESIGN
The process of creating a virtual or photorealistic set
for film or drama production with digital or traditional painting.
As a curriculum that can respond to all industries in line with the changes of the times,
many students choose this course with the goal of becoming a true senior artist.
CURRICULUM
Basic & Modeling
UV
& Texture
Shading
& Lighting
Camera
& Render pass
Rigging
& Animation
- Interface
- Basic Shading
- Basic V-ray
- Basic Modeling Exerciese
- UV Map
- V-ray Material
- Subdivision
- Textureing
- modeling Exercise
- Basic Shading
- Basic Lighting
- Textureing
- Physical Light
- IES
- Basic Camera
- Using 3D Camera
- Basic Render pass
- Render pass Setting
- Compositing
- Basic Rigging
- Basic Animation
- Constrain
- Set Driven
- Motin path
- Key animation
- Expression
- Motion Capture
CAREER PATH
REGULAR PROGRAMS
3D COMPOSITE
The 3D compositing process is a process of synthesizing a virtual digital
with a live image to create various elements as if they belonged naturally to the same space.
As a curriculum that can respond to all industries in line with the changes of the times,
many students choose this course with the goal of becoming a true senior artist.
CURRICULUM
Getting Started in Nuke
Compositing
& 3D in Nuke
Ediging
& Demo Reel Production
- The Nuke Interface
- Understanding Channels
& Channel Nodes
- Keying with Primatte
- IBK
- Keylight Keyers
- Multi-pass CGI
- Multi-pass CG and Live-action
footage Compositing
- 3D basics in Nuke
- Camera projection and
displacement mapping
- Import camera tracking data
- Rig
- Cable removal
- Digital camera-shooting
& understanding
- Shooting HDRI for Lighting
- 3D camera tracking
- match moving
- Final demo reel production
- UV Map
- V-ray Material
- Subdivision
- Textureing
- Basic Shading
- Basic Lighting
- Textureing
- Physical Light
- IES
- Basic Camera
- Using 3D Camera
- Basic Render pass
- Render pass Setting
- Compositing
- Basic Rigging
- Basic Animation
- Constrain
- Set Driven
- Motin path
- Key animation
- Expression
- Motion Capture
- Interface
- Basic Shading
- Basic V-ray
- Basic Modeling Exerciese
- modeling Exercise
Basic & Modeling
UV
& Texture
Shading
& Lighting
Camera
& Render pass
Rigging
& Animation