
MPC
MPC (Moving Picture Company) is one of the world's leading visual effects studios, providing VFX, animation, and creative production services for feature films, television, and advertising projects. Founded in London in 1970, the company has built a strong reputation for delivering high-quality visual effects for major Hollywood blockbusters. MPC has contributed to acclaimed productions such as The Lion King (2019), The Jungle Book, 1917, and numerous Marvel and Disney films. The studio is known for its expertise in photorealistic creatures, digital environments, character animation, and large-scale visual effects simulations. With studios across North America, Europe, Asia, and Australia, MPC continues to be a major force in the global VFX industry.
Interview with Hanjoo Jeong
1. Please introduce yourself.
Hello, it’s a pleasure to meet you. My name is Jung Han-joo, and I recently graduated from SF Film School.
2. What motivated you to become interested in Computer Graphics?
I have been passionate about movies since I was a child. The idea of creating something with my own hands and contributing to filmmaking was what first sparked my interest in computer graphics.
3. Do you have any personal know-how or tips for working in CG?
I believe that trying something yourself is far more important than simply observing it repeatedly. More than anything, it is important to have passion for what you do and confidence in your own work.
4. What are your plans for the future?
I still feel that I have a lot to learn, so I plan to continue studying and improving myself without becoming complacent.
5. Do you have any memorable experiences from your training or projects?
Since I was attending university while preparing my portfolio, I had to carefully manage my schedule. I attended university classes in the morning and then went to the academy in the afternoon. As an engineering student, exam periods were especially exhausting, but I actually enjoyed the challenge and excitement rather than taking things too casually.
One memory that stands out is filming my portfolio project during the winter. Despite the freezing weather, I worked with people around me to complete the shoot. It was difficult at times, but it remains a very enjoyable memory.
6. Please tell us more about your personal project.
It feels a little embarrassing to call it a portfolio project, but I have always been interested in particles and dynamics. Because of that, I worked by studying and recreating visual effects from projects that had left a strong impression on me.
Throughout the process, problems frequently appeared in areas that I had originally considered insignificant. However, overcoming those unexpected challenges taught me some of the most valuable lessons and gave me experiences that I still appreciate today.
7. How many hours do you work on average each day?
I did not set a specific schedule. I simply worked whenever inspiration came to me.
8. Please briefly introduce the company you joined and the work you are currently doing.
After graduating from the academy, I joined Mofac Studio as a member of the FX team. My work primarily involved Maya particles, dynamics, and Houdini, and I was preparing to participate in film FX production.
After gaining industry experience, I joined MPC in the United Kingdom. MPC is widely known for its work on major Hollywood productions, including The Chronicles of Narnia and many other large-scale visual effects projects.
9. What advice would you give to students considering SF Film School?
I do not feel quite qualified to give advice yet, but if I had to say one thing, it would be this: expose yourself to as many high-quality references and resources as possible in the field that interests you, and never lose sight of your dream.
When you look back in the future, make sure you have no regrets. Believe in yourself and never lose your passion. Most importantly, the friends and colleagues around you today will eventually become a great source of strength and support throughout your career.
10. Why did you choose SF Film School, and what do you think are its strengths?
In my personal opinion, many people think of CG simply as learning 3D software. However, I realized that equally important elements such as compositing, color grading, and other supporting disciplines play a major role in the production process.
While searching for an educational institution that offered a broader approach, I discovered SF Film School. One of its greatest strengths was the family-like atmosphere, which made it a comfortable and enjoyable place to learn.
In particular, the instructors provided a great deal of advice and guidance, helping me recognize and correct many misconceptions I had along the way. That support was invaluable to my growth as an artist.
Hanjoo Jeong
FX Team



